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He was believed to rule in all parts of the created world: During the Amarna Period , Akhenaten suppressed the cult of Ra in favor of another solar deity, the Aten , the deified solar disc, but after the death of Akhenaten the cult of Ra was restored.
The cult of the Mnevis bull , an embodiment of Ra, had its center in Heliopolis and there was a formal burial ground for the sacrificed bulls north of the city.
All forms of life were believed to have been created by Ra, who called each of them into existence by speaking their secret names. In the myth of the Celestial Cow it is recounted how mankind plotted against Ra and how he sent his eye as the goddess Sekhmet to punish them.
When she became bloodthirsty Ra pacified her by giving her beer mixed with red dye, which she drank in mistake for blood.
To the Egyptians, the sun represented light, warmth, and growth. This made the sun deity very important, as the sun was seen as the ruler of all that he created.
The sun disk was either seen as the body or eye of Ra. Ra was the father of Shu and Tefnut , whom he created by his own power.
Shu was the god of the wind, and Tefnut was the goddess of the rain. She was a violent lioness sent to slaughter the people who betrayed Ra, but she was later turned into the more peaceful goddess Hathor.
Ra was thought to travel on the Atet , two solar barques called the Mandjet the Boat of Millions of Years or morning boat and the Mesektet or evening boat.
While Ra was on the Mesektet , he was in his ram-headed form. Sometimes, members of the Ennead helped him on his journey, including Set , who overcame the serpent Apophis , and Mehen , who defended against the monsters of the underworld.
When Ra was in the underworld, he would visit all of his various forms. During the evening, the Egyptians believed that Ra set as Atum or in the form of a ram.
The night boat would carry him through the underworld and back towards the east in preparation for his rebirth.
These myths of Ra represented the sun rising as the rebirth of the sun by the sky goddess Nut; thus attributing the concept of rebirth and renewal to Ra and strengthening his role as a creator god as well.
When Ra was in the underworld, he merged with Osiris , the god of the dead, and through it became the god of the dead as well.
Ra was worshipped as the creator god among some ancient Egyptians, specifically followers of his cult at Heliopolis.
Hu , or authority, and Sia , or mind. Ra was represented in a variety of forms. The most usual form was a man with the head of a falcon and a solar disk on top and a coiled serpent around the disk.
Ra was also pictured as a full-bodied ram, beetle, phoenix, heron, serpent, bull, cat, or lion, among others.
In some literature, Ra is described as an aging king with golden flesh, silver bones, and hair of lapis lazuli. He was identified with the local sun god Atum.
His worship increased massively in the Fifth Dynasty , when Ra became a state deity and pharaohs had specially aligned pyramids , obelisks , and sun temples built in his honor.
The rulers of the Fifth Dynasty told their followers that they were sons of Ra himself and the wife of the high priest of Heliopolis.
During the Middle Kingdom , Ra was increasingly affiliated and combined with other chief deities, especially Amun and Osiris.
At the time of the New Kingdom of Egypt , the worship of Ra had become more complicated and grander. Magic was as legitimate an activity as praying to the gods, even when the magic was aimed at controlling the gods themselves.
The act of speaking a ritual formula was an act of creation;  there is a sense in which action and speech were one and the same thing.
Hieroglyphic script was held to have been invented by the god Thoth , and the hieroglyphs themselves were powerful. Written words conveyed the full force of a spell.
The spells of the Book of the Dead made use of several magical techniques which can also be seen in other areas of Egyptian life.
A number of spells are for magical amulets , which would protect the deceased from harm. In addition to being represented on a Book of the Dead papyrus, these spells appeared on amulets wound into the wrappings of a mummy.
Other items in direct contact with the body in the tomb, such as headrests, were also considered to have amuletic value. Almost every Book of the Dead was unique, containing a different mixture of spells drawn from the corpus of texts available.
For most of the history of the Book of the Dead there was no defined order or structure. The spells in the Book of the Dead depict Egyptian beliefs about the nature of death and the afterlife.
The Book of the Dead is a vital source of information about Egyptian beliefs in this area. One aspect of death was the disintegration of the various kheperu , or modes of existence.
Mummification served to preserve and transform the physical body into sah , an idealised form with divine aspects;  the Book of the Dead contained spells aimed at preserving the body of the deceased, which may have been recited during the process of mummification.
The ka , or life-force, remained in the tomb with the dead body, and required sustenance from offerings of food, water and incense.
In case priests or relatives failed to provide these offerings, Spell ensured the ka was satisfied. It was the ba , depicted as a human-headed bird, which could "go forth by day" from the tomb into the world; spells 61 and 89 acted to preserve it.
An akh was a blessed spirit with magical powers who would dwell among the gods. The nature of the afterlife which the dead person enjoyed is difficult to define, because of the differing traditions within Ancient Egyptian religion.
In the Book of the Dead , the dead were taken into the presence of the god Osiris , who was confined to the subterranean Duat.
There are also spells to enable the ba or akh of the dead to join Ra as he travelled the sky in his sun-barque, and help him fight off Apep.
There are fields, crops, oxen, people and waterways. The deceased person is shown encountering the Great Ennead , a group of gods, as well as his or her own parents.
While the depiction of the Field of Reeds is pleasant and plentiful, it is also clear that manual labour is required. For this reason burials included a number of statuettes named shabti , or later ushebti.
The path to the afterlife as laid out in the Book of the Dead was a difficult one. The deceased was required to pass a series of gates, caverns and mounds guarded by supernatural creatures.
Their names—for instance, "He who lives on snakes" or "He who dances in blood"—are equally grotesque. These creatures had to be pacified by reciting the appropriate spells included in the Book of the Dead ; once pacified they posed no further threat, and could even extend their protection to the dead person.
If all the obstacles of the Duat could be negotiated, the deceased would be judged in the "Weighing of the Heart" ritual, depicted in Spell The deceased was led by the god Anubis into the presence of Osiris.
There, the dead person swore that he had not committed any sin from a list of 42 sins ,  reciting a text known as the "Negative Confession".
Maat was often represented by an ostrich feather, the hieroglyphic sign for her name. If the scales balanced, this meant the deceased had led a good life.
Anubis would take them to Osiris and they would find their place in the afterlife, becoming maa-kheru , meaning "vindicated" or "true of voice".
This scene is remarkable not only for its vividness but as one of the few parts of the Book of the Dead with any explicit moral content.
The judgment of the dead and the Negative Confession were a representation of the conventional moral code which governed Egyptian society. For every "I have not John Taylor points out the wording of Spells 30B and suggests a pragmatic approach to morality; by preventing the heart from contradicting him with any inconvenient truths, it seems that the deceased could enter the afterlife even if their life had not been entirely pure.
A Book of the Dead papyrus was produced to order by scribes. They were commissioned by people in preparation for their own funeral, or by the relatives of someone recently deceased.
They were expensive items; one source gives the price of a Book of the Dead scroll as one deben of silver,  perhaps half the annual pay of a labourer.
In one case, a Book of the Dead was written on second-hand papyrus. Most owners of the Book of the Dead were evidently part of the social elite; they were initially reserved for the royal family, but later papyri are found in the tombs of scribes, priests and officials.
Towards the beginning of the history of the Book of the Dead , there are roughly 10 copies belonging to men for every one for a woman.
The dimensions of a Book of the Dead could vary widely; the longest is 40m long while some are as short as 1m. The scribes working on Book of the Dead papyri took more care over their work than those working on more mundane texts; care was taken to frame the text within margins, and to avoid writing on the joints between sheets.
Books were often prefabricated in funerary workshops, with spaces being left for the name of the deceased to be written in later.
The text of a New Kingdom Book of the Dead was typically written in cursive hieroglyphs , most often from left to right, but also sometimes from right to left.
The hieroglyphs were in columns, which were separated by black lines — a similar arrangement to that used when hieroglyphs were carved on tomb walls or monuments.
Illustrations were put in frames above, below, or between the columns of text. The largest illustrations took up a full page of papyrus.
From the 21st Dynasty onward, more copies of the Book of the Dead are found in hieratic script. The calligraphy is similar to that of other hieratic manuscripts of the New Kingdom; the text is written in horizontal lines across wide columns often the column size corresponds to the size of the papyrus sheets of which a scroll is made up.
Occasionally a hieratic Book of the Dead contains captions in hieroglyphic. The text of a Book of the Dead was written in both black and red ink, regardless of whether it was in hieroglyphic or hieratic script.
Most of the text was in black, with red ink used for the titles of spells, opening and closing sections of spells, the instructions to perform spells correctly in rituals, and also for the names of dangerous creatures such as the demon Apep.
The style and nature of the vignettes used to illustrate a Book of the Dead varies widely. Some contain lavish colour illustrations, even making use of gold leaf.
Others contain only line drawings, or one simple illustration at the opening. Book of the Dead papyri were often the work of several different scribes and artists whose work was literally pasted together.
The existence of the Book of the Dead was known as early as the Middle Ages, well before its contents could be understood.
In Karl Richard Lepsius published a translation of a manuscript dated to the Ptolemaic era and coined the name " Book of The Dead" das Todtenbuch.
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His worship increased massively in the Fifth Dynasty , when Ra became a state deity and pharaohs had specially aligned pyramids , obelisks , and sun temples built in his honor.
The rulers of the Fifth Dynasty told their followers that they were sons of Ra himself and the wife of the high priest of Heliopolis. During the Middle Kingdom , Ra was increasingly affiliated and combined with other chief deities, especially Amun and Osiris.
At the time of the New Kingdom of Egypt , the worship of Ra had become more complicated and grander. Ra was said to carry the prayers and blessings of the living with the souls of the dead on the sun boat.
The idea that Ra aged with the sun became more popular during the rise of the New Kingdom. Many acts of worship included hymns , prayers, and spells to help Ra and the sun boat overcome Apep.
From Wikipedia, the free encyclopedia. This article is about the Egyptian deity. For other uses, see Ra disambiguation. In one of his many forms, Ra, god of the sun, has the head of a falcon and the sun-disk inside a cobra resting on his head.
Funerals Offering formula Temples Pyramids. For the Egyptian month named in his honor, see Mesori. Archived from the original on A Dictionary of Egyptian Gods and Goddesses.
The Question of Evil in Ancient Egypt. The cult of Ra: Sun-worship in ancient Egypt. Thames and Hudson, p.
A guide to Egyptian religion. Oxford University Press, p. Women in Ancient Egypt. Dedi Djadjaemankh Rededjet Ubaoner. Book Ancient Egypt portal.
Retrieved from " https: Egyptian gods Solar gods Underworld gods. Views Read Edit View history. In other projects Wikimedia Commons.
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